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Image for the poem Words

Words

The power of words

to separate spirit from dark matter
to capture the scalpel precisions of hearts that shatter
to mentally vibrate and put it all back together
to summon the shifting celestial bodies to gather
to ritualize everything perceived by perceiver
to radicalize everything believed by believer

fully at the behest of the dreamer as creator deemer & redeemer
who has suffered the ordeals on the roads of nowhere - everywhere
where impossible things bring miraculous surrender
and surreptitious marvels of anti-matter into matter
like spontaneous translocation before the eyes of the observer
or the master of ink color spilling into styx as darkness river

connecting those without hope to something akin
to the beginning of the end that becomes a beginning again
in the face of the place where humans and aliens begin
the thought process of light in extension & night in retention

as the consoling aftermath of everything laughs and cries
in a paradox of life that dies to be reborn like storms in conglomerate skies

that take the form of ankhs that sink

 into the layers & layers

prayers & prayers

cares & cares

without a care

Written by Cipher_O (WarlordoftheWrittenWord)
Published
Author's Note
I believe that words can have a significant impact on your personal experience of informational constructs, acting as individual frequencies onto pre existing frequencies. Everyday we as humans perhaps lament various elements of what we call existence, or, existential structures, when, there may exist methodologies of change, at our disposal, as we have interacted with words and incorporated them into our existence in such innovative ways.  Something to consider and possibly difficult to truly grasp, maybe not to grasp and only to participate in a fluid and dynamic fashion.  Which brings me to the idea of "digital art in the form of words".  Something one of a kind in a digital medium, with no other trace elsewhere, pulsating like manifestation encoded in patience, a grimoire of silence..
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