deepundergroundpoetry.com
The Chariot
Let’s be honest,
Rooms are composed of six lines,
Line One:
Why am I a who-man, cataracted into
This
Antagonistic, rectipetal
Lee,
Hand of accreted injury,
Thrust before a liquefactious air,
And why is this sleek-
Shod carrion bird,
Flute of limbs and impermeable
Coat,
Circling the stench
Of once proud flesh,
Rendered, now,
A tumble of stinking ropes,
What it is.
Line Two:
Why are the corners brooding
At the drum beats your hips
Are throwing like tides,
Their clasped beak
Adamant,
In taut angles,
Unable, in all their chitinous
Umbral carapace,
To hold your fire,
Venting black tapers
Into the shuddering
Music.
Line Three:
Why is hunger
An abscess,
At the absolute center of
Everything, this
Corpus Mundi,
Voice of the insolvent
King,
Munificent, only
In laments,
Poured upon parapets
Evening gloam,
Whose fasting fires allay
Equidistant,
To its echoing
Atmospheric
Bier,
By daylight,
Interred,
Into its cairn,
Why is hunger.
Line Four:
Why is a memory in the hollow
Of the bed, where your scent
Has lain its fingerprint,
A void spiral, pressed
Its breath to indent
The mattress,
Why do I continually dream
Of your absence
And wake in the rooms
You have left,
Why isn’t a memory a stone.
Line Five:
Will you tell me why I ask you
Questions you could not
Answer in the selfsame language of
My heart, whose dented
Atria have formed the unique
Identifiers
Of a bullet casing,
Will you soak my ink in your
Tears until it runs
Off the page into your
Lap.
Line Six:
Why is dread of the inevitable
Boredom, our collisions will naturally
Engender, by repetition,
Enervating the ecstatic longings,
Mired in the red taped,
Rubber stamped queue labyrinth
Between us
And the absolute surety of injury,
Fomented by these pyroclastic
Thoughts, vanguarding lips,
Bruised in their magnetized rush,
To clasp, to breach
The channel,
A totemic Scylla and somehow strategically
Partnered Charybdis, perched upon opposite
Shoulder, whispering sewn threads
Through our lips, knocking back our
Tenuously reaching fingertips,
Why are we parting again,
Oars thrusting at a cold breakwater.
..
The Chariot
Or
Elenctic Method
By
R_Sculptoris
Rooms are composed of six lines,
Line One:
Why am I a who-man, cataracted into
This
Antagonistic, rectipetal
Lee,
Hand of accreted injury,
Thrust before a liquefactious air,
And why is this sleek-
Shod carrion bird,
Flute of limbs and impermeable
Coat,
Circling the stench
Of once proud flesh,
Rendered, now,
A tumble of stinking ropes,
What it is.
Line Two:
Why are the corners brooding
At the drum beats your hips
Are throwing like tides,
Their clasped beak
Adamant,
In taut angles,
Unable, in all their chitinous
Umbral carapace,
To hold your fire,
Venting black tapers
Into the shuddering
Music.
Line Three:
Why is hunger
An abscess,
At the absolute center of
Everything, this
Corpus Mundi,
Voice of the insolvent
King,
Munificent, only
In laments,
Poured upon parapets
Evening gloam,
Whose fasting fires allay
Equidistant,
To its echoing
Atmospheric
Bier,
By daylight,
Interred,
Into its cairn,
Why is hunger.
Line Four:
Why is a memory in the hollow
Of the bed, where your scent
Has lain its fingerprint,
A void spiral, pressed
Its breath to indent
The mattress,
Why do I continually dream
Of your absence
And wake in the rooms
You have left,
Why isn’t a memory a stone.
Line Five:
Will you tell me why I ask you
Questions you could not
Answer in the selfsame language of
My heart, whose dented
Atria have formed the unique
Identifiers
Of a bullet casing,
Will you soak my ink in your
Tears until it runs
Off the page into your
Lap.
Line Six:
Why is dread of the inevitable
Boredom, our collisions will naturally
Engender, by repetition,
Enervating the ecstatic longings,
Mired in the red taped,
Rubber stamped queue labyrinth
Between us
And the absolute surety of injury,
Fomented by these pyroclastic
Thoughts, vanguarding lips,
Bruised in their magnetized rush,
To clasp, to breach
The channel,
A totemic Scylla and somehow strategically
Partnered Charybdis, perched upon opposite
Shoulder, whispering sewn threads
Through our lips, knocking back our
Tenuously reaching fingertips,
Why are we parting again,
Oars thrusting at a cold breakwater.
..
The Chariot
Or
Elenctic Method
By
R_Sculptoris
Author's Note
This work was written in collaborative spirit and inspired partly by my friends in ink, Rob, Rianne and Rina. Looking forward to knocking our poetic heads together again.
Copyright © 2023 by Daniel Christensen. All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher.
Copyright © 2023 by Daniel Christensen. All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher.
All writing remains the property of the author. Don't use it for any purpose without their permission.
likes 21
reading list entries 12
comments 31
reads 618
Commenting Preference:
The author encourages honest critique.
Re. The Chariot
8th Jan 2023 5:24pm
This is brilliant, full of some part realism and other abstract fracture. Post-modern, even.
1
Re: Re. The Chariot
8th Jan 2023 5:30pm
Post modernism is truly relevant to the intention of this write I think, thank you so much Eren, I appreciate the insight and perspective. 💖🙏
Re. The Chariot
8th Jan 2023 5:36pm
I loved this even though it was very mysterious to me. But mystery is good for us.
1
Re: Re. The Chariot
8th Jan 2023 5:46pm
Hi Nizana thank you so much. 💖🙏 I think part of what I was expressing here is how mysterious life is, in all its permutations.
Re. The Chariot
8th Jan 2023 6:18pm
This is fantastic, and the reading really brings the mood and voice alive. Beautifully done!
1
Re: Re. The Chariot
8th Jan 2023 6:23pm
You sweet thing thank you so much *hugs* I really appreciate you and I'm glad to have been helpful in your growing process with the audio poems recently. 😘💖🙏🏻
Anonymous
- Edited 29th May 2023 7:45am
8th Jan 2023 6:19pm
<< post removed >>
Re: Re. The Chariot
8th Jan 2023 6:29pm
You have been and remain a blessing my friend, your insight and understanding is always an overwhelming joy. It was wonderful to collaborate with you on this and I'm eager to continue in that process. 💖🙏🏻
Re. The Chariot
8th Jan 2023 6:28pm
Someone on here, once asserted that any poem that is not understood on first reading has failed. Other than accentuating their ignorance, your words illustrate how poetry is challenging. Bit like encountering The Waste Land or Berryman’s Dream Song for first time. Will comment further on deeper inspection.
Think it’s really positive when DU can unite and inspire. We’re all in the same boat, even though it can appear to be The Titanic at times, and we should be sailing in empathy.
Think it’s really positive when DU can unite and inspire. We’re all in the same boat, even though it can appear to be The Titanic at times, and we should be sailing in empathy.
1
Re: Re. The Chariot
8th Jan 2023 6:55pm
I would concur that statement is missing the point entirely of expression, there are deeper wells of connection than literal translations. A text book or instruction manual seeks to impart a procedural understanding, so I suppose if that is not done well, it can be said to have failed its intention, but the intention of a poem is often or perhaps in best spirit, to expose the soul, say something honest in a world of so much artificiality by rote, give rise to wonder, curiosity and emotion, to resonate within our mutual humanity. I often try to make that vital connection in my writing, when I comment on writing or in any conversation or discourse.
I was unfamiliar with Berryman but have begun reading it on poetry.org. The Waste Land has long been a personal favorite.
I was telling Rina, we can create an oasis of meaningful connection between us here, even though so many of our treasured friends have departed. I'm all for sailing in empathy my friend. 💖🙏
I was unfamiliar with Berryman but have begun reading it on poetry.org. The Waste Land has long been a personal favorite.
I was telling Rina, we can create an oasis of meaningful connection between us here, even though so many of our treasured friends have departed. I'm all for sailing in empathy my friend. 💖🙏
Re: Re. The Chariot
Anonymous
11th Jan 2023 9:42pm
To see it in print then hear your words bringing the poem to life it truly elevates it to an art form. And, yes I completely agree the few of us left from the ole times can try to pull this place together with positivity with writing and friendships.
I haven't forgotten to write my part, I haven't had solid couple days off to concentrate on an idea but hopefully soon.
I haven't forgotten to write my part, I haven't had solid couple days off to concentrate on an idea but hopefully soon.
1
Re: Re. The Chariot
12th Jan 2023 9:03pm
I always look forward to your writing Rina. 💖 Thank you it means a lot to me.
Re. The Chariot
8th Jan 2023 7:28pm
This is gorgeous, a multi-dimensional lattice of sorts, an intriguing course for the chariots of life we each steer.
1
Re: Re. The Chariot
8th Jan 2023 9:43pm
I really like thinking of it in the structure of a lattice, it says a lot of things about construction and intention and proportion. Occasionally I write a piece and will invoke an avatar of the tarot, I have pieces titled The Lovers and The Magician, for example, I felt The Chariot was appropriate for this kind of yin yang journey through Freud's id, in a sense. Thank you so much I really appreciate the insight and perspective.
Re. The Chariot
I find this piece one of the most intriguing and interesting collaborative efforts I've read here on DUP. It's a tribute to likeminded souls, expressive emotion and a lovely window into the vast shared affection of how powerfully ingrained the written word impacts not only each poet within this endeavor but also we the more than willing fireflies attracted to the beautiful essence of light that this piece permeates.... I have missed this type of incredible aura (for lack of a better idea or word) and truly welcome it's effects upon me and the deep warmth it leaves me feeling. Thank you for sharing that with us all....
Bravo to your reading (you already know how much I adore your style there! ) and to all who participated. What a wonderfully deep and creative triumph.
Much love, my friend
I hope your '23 becomes your best yet.
🌹💙
xo
Bravo to your reading (you already know how much I adore your style there! ) and to all who participated. What a wonderfully deep and creative triumph.
Much love, my friend
I hope your '23 becomes your best yet.
🌹💙
xo
1
Re: Re. The Chariot
8th Jan 2023 9:48pm
Hey hey Susie Q *hugs* This work came about in an odd, for me, sort of way. I was talking to friends about working on a collaboration with the theme of honesty, my friend Rianne wrote and sent me several stanzas and I was inspired to write what amounted to this poem. Since it was so long, we decided we would post our poems around the theme separately. Strangeways_Rob wrote his most recent, which is titled, "Walking the Plank on Knees."
After the collaboration splintered off into separate pieces that we had inspired each other to write, we figured we could just start over and work on something else together, that is forthcoming hopefully.
Thank you so much honey. It's wonderful to connect with you. I hope you have a wonderful new year as well! Assuming we can all afford a dozen eggs haha.
After the collaboration splintered off into separate pieces that we had inspired each other to write, we figured we could just start over and work on something else together, that is forthcoming hopefully.
Thank you so much honey. It's wonderful to connect with you. I hope you have a wonderful new year as well! Assuming we can all afford a dozen eggs haha.
Re. The Chariot
8th Jan 2023 10:17pm
Jeez Louise, Daniel. This is a feast post fast. It's so well attended by you, thoughtful, haunting and graceful. The reading was well paced too. Thank you.
1
Re: Re. The Chariot
9th Jan 2023 4:06am
Thank you ☺️ That means a lot to me. I've really been enjoying your pieces as well. 💖 I hope this new year brings you peace, purpose and fulfillment. 🙏🏻
Re. The Chariot
10th Jan 2023 4:20am
"Will you tell me why I ask you
Questions you could not
Answer"
If only this was line 1....I could go on for hours over carajillo, and tapas....possibly tequilas. Well done here sir. Much love. <3
Questions you could not
Answer"
If only this was line 1....I could go on for hours over carajillo, and tapas....possibly tequilas. Well done here sir. Much love. <3
1
Re: Re. The Chariot
10th Jan 2023 4:33am
I wouldn't mind joining you for a drink or two milady. Thank you 💖🙏🏻
Re: Re. The Chariot
10th Jan 2023 4:42am
Re. The Chariot
10th Jan 2023 4:40am
What an amazing piece!!!
It's all great but this is my fave
I absolutely loved line 4.
That whole section reads like a haunt to me.
Scented fingerprints!
It's all great but this is my fave
I absolutely loved line 4.
That whole section reads like a haunt to me.
Scented fingerprints!
1
Re: Re. The Chariot
10th Jan 2023 10:34pm
It really is a kind of haunting, the memories of love lost. Thank you so much. 💖
Re. The Chariot
10th Jan 2023 7:55pm
Truly a tour de force... engaging... speaks to me on many levels... has an epic quality about it... great job...
1
Re: Re. The Chariot
10th Jan 2023 10:35pm
Re. The Chariot
13th Jan 2023 5:35pm
Re: Re. The Chariot
13th Jan 2023 6:17pm
Hey johnny thanks I appreciate it. This if the first thing I wrote working up inspiration behind the scenes with other site writers in a while and it was really an enjoyable experience.
Re. The Chariot
15th Jan 2023 5:52pm
I always look forward to your spoken word pieces. Your articulation is very much admired by us all here. I have to admit, for much as I am a fan of words, I had to look a couple.
Amazing Daniel. Now I'm wondering what your English teachers thought when you were in school.
Amazing Daniel. Now I'm wondering what your English teachers thought when you were in school.
1
Re: Re. The Chariot
16th Jan 2023 1:53am
English was a strong subject for me it's true lol I had a hard time with maths and would study til my brain felt like a microwaved egg. 😅
Thank you Walter I really appreciate it. Because I don't have a sound studio, it takes a long time for me to edit out background noises when I record an audio, then because I'm holding down the page down button on my Word document the whole time, I tend to rush a little, so I end up extending the pauses between line and stanza a second or two as well. I'd say every minute of the audio poem takes 5 or ten minutes of editing, but the end products really are okay for a guy without much technical skill. Gratitude always to MissyDemeanor for teaching me how to use the Audacity software.
Thank you Walter I really appreciate it. Because I don't have a sound studio, it takes a long time for me to edit out background noises when I record an audio, then because I'm holding down the page down button on my Word document the whole time, I tend to rush a little, so I end up extending the pauses between line and stanza a second or two as well. I'd say every minute of the audio poem takes 5 or ten minutes of editing, but the end products really are okay for a guy without much technical skill. Gratitude always to MissyDemeanor for teaching me how to use the Audacity software.
Re. The Chariot
17th Jan 2023 10:47pm
I thoroughly enjoyed every word of this! It was intriguing, well crafted and thought provoking. I admire the language and how it is all stitched together. The range of the vocabulary is masterful. Great piece!
1
Re: Re. The Chariot
19th Jan 2023 8:51pm
I admire the master of diction in your pieces as well. Thank you I was truly inspired whilst writing this one and the audio came together pretty well after I edited out the background noises. 💖🙏