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The summers of Hesperides are long☀️
The summers of Hesperides are long
for, this is my letter to the world,
that never wrote to me...
With quick wit, and impish, did easily
dissolve into gaiety amid academy peers,
from whence would deliver me into life's
cadence so passionately, this brown wren.
Are you too deeply occupied to say if
my verse is alive?
The mind is so near itself it cannot
see distinctly, and I have none to ask.
That you will not betray me it is needless
to ask, since honor is its own pawn.
Undressed thoughts that joggle the mind.
The balm and smile to rise even higher
than true, (and) to run the course through
life's preceptor, or dare hope to be,
this young spirit of a woman, yet
unclaimed, by a nation of civil war.
And yet, the long wait to obsess, this
daughter in white, unrecognized, till comes
Death, that would believe perhaps the bur
of chestnut, with eyes of neglected sherry
when guests have gone, thus to pacify the
lack of a mould to identify not earthly image
but shadow, to claim what eternal brilliance
would nay arrive till winter of passing has
long rendered, silent & still, of pen & quill,
the breath of wind against the breadth of
window pane that overlooks a village
going by, keeping in and letting out,
for had I a pleasure you had not,
I could delight to bring it.
©2016 Jade Pandora. All Rights Reserved.
Preview piece: artwork by Frederick, Lord Leighton, 1892 (public domain)
This poem placed first in the DUP competition "Monthly tribute #2: Emily Dickinson"
Dedicated to Emily Dickinson (1830 - 1886), with some of the lines in italics to indicate her actual words either from letter or verse. I use archaic style throughout the piece.
Unpublished in her lifetime, unknown at her death. Dickinson wrote in all, seventeen hundred and seventy-five poems, of which only seven were published in her lifetime, all anonymously. A few select of her poems, were published in 1890, 1891, and 1896. More were published in 1914, and again in the 1920's, when their place in literature was at last recognized. Then finally, in 1950, Harvard University bought all available manuscripts and publishing rights, and has since published the complete poems and letters, each in three large volumes, edited by Thomas H. Johnson; an edition that cannot be too highly recommended to those who desire to explore further her life and work. Scholars who wish to examine the exact original text should consult these three volumes.
All writing remains the property of the author. Don't use it for any purpose without their permission.
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