deepundergroundpoetry.com
The Hallowed Wo/Men
( After T.S. Eliot )
Another era of repetition
puncture a historic dial—
become a thorn inside seconds
meaningless at the core; hollow—
no one different than the other
the other no different than before;
each brigade of sixty seconds
or minutes, marching as to war
one by one follow the hands
hour after hour,
until their time is no more.
Here is where repetition is born:
a needle dancing with its own echo
in the parlor— scratchy throated—
a shallow crevice preventing
forward movement
into the heart of the song—
its music trapped in time
repeating itself, mirroring
over and over:
conflict, death— conflict, death
we follow no other compass.
How have we evolved into colonialism—
escaping the Gun Powder plot
beneath the Houses of Parliament
distracting from the blood disease
of imperialistic ideology—
its hand stretched forth in greed
continents between fingers;
roots exposed, dangling limbs of Being-
repeating itself— over and over
until it becomes a mantra
for future generations:
conflict, death— conflict, death
we follow no other compass.
Battlefield earth, her symbiosis designed
to accommodate the whole of Life—
looks no different than the other
the other no different than before—
spears, arrows, weapons of rock:
Cain, Able, the cost jealousy affords
when we covet our brother’s lot.
Sword, musket, antler knife, gunpowder
treason and plot— who does remember
they are their brother’s keeper
in the midst of tragic loss.
Between the beginning and end
lies the repetition;
between the opening and closing
lies the repetition;
within the solar plexus of the repetition
lies an unmeasured lesson
in time, pain, and experience.
Fertile lands embraced
our foreign ways of trade
between ocean and land;
beyond islands and continents—
its hair invisibly combed
into banners of conquerors.
Those hallowed men and women—
those colored-skinned nations
their ancient customs foreign;
spun from great dynasties of spirit
into silken tapestries of origin.
They were the meek ones—
the workers, providers;
their offerings suffocated
into martyrdom from nooses
whipping poles, diseased blankets
and boiling sugar water.
Sparks rising from pyres in the night—
dissipated of their heat, disappearing
behind their cloaks of darkness;
their burial palls black as graves—
legends, burnt offerings
of flesh melting from bone—
their slayers asleep in their beds
visions of the new world
circling over homesteads—
warpaint of pride, conquest
smeared across their dreams.
What is so different about this
from which we escaped—
we have become the monster we hate;
and, this world,
this world,
this world
will not end with peace;
but, the bloodshed of innocence:
land, air, and ocean polluted of breath—
all lifeforms on the brink of collapse;
this is how it will come to pass
this and nothing else—
not the top one percent
tossing crumbs to the indigent;
nor corporate giants squeezing
every cent from the middle-class;
but, as it was in the beginning:
a brilliant flash of light!
followed by silence
dust
and ash.
~
Another era of repetition
puncture a historic dial—
become a thorn inside seconds
meaningless at the core; hollow—
no one different than the other
the other no different than before;
each brigade of sixty seconds
or minutes, marching as to war
one by one follow the hands
hour after hour,
until their time is no more.
Here is where repetition is born:
a needle dancing with its own echo
in the parlor— scratchy throated—
a shallow crevice preventing
forward movement
into the heart of the song—
its music trapped in time
repeating itself, mirroring
over and over:
conflict, death— conflict, death
we follow no other compass.
How have we evolved into colonialism—
escaping the Gun Powder plot
beneath the Houses of Parliament
distracting from the blood disease
of imperialistic ideology—
its hand stretched forth in greed
continents between fingers;
roots exposed, dangling limbs of Being-
repeating itself— over and over
until it becomes a mantra
for future generations:
conflict, death— conflict, death
we follow no other compass.
Battlefield earth, her symbiosis designed
to accommodate the whole of Life—
looks no different than the other
the other no different than before—
spears, arrows, weapons of rock:
Cain, Able, the cost jealousy affords
when we covet our brother’s lot.
Sword, musket, antler knife, gunpowder
treason and plot— who does remember
they are their brother’s keeper
in the midst of tragic loss.
Between the beginning and end
lies the repetition;
between the opening and closing
lies the repetition;
within the solar plexus of the repetition
lies an unmeasured lesson
in time, pain, and experience.
Fertile lands embraced
our foreign ways of trade
between ocean and land;
beyond islands and continents—
its hair invisibly combed
into banners of conquerors.
Those hallowed men and women—
those colored-skinned nations
their ancient customs foreign;
spun from great dynasties of spirit
into silken tapestries of origin.
They were the meek ones—
the workers, providers;
their offerings suffocated
into martyrdom from nooses
whipping poles, diseased blankets
and boiling sugar water.
Sparks rising from pyres in the night—
dissipated of their heat, disappearing
behind their cloaks of darkness;
their burial palls black as graves—
legends, burnt offerings
of flesh melting from bone—
their slayers asleep in their beds
visions of the new world
circling over homesteads—
warpaint of pride, conquest
smeared across their dreams.
What is so different about this
from which we escaped—
we have become the monster we hate;
and, this world,
this world,
this world
will not end with peace;
but, the bloodshed of innocence:
land, air, and ocean polluted of breath—
all lifeforms on the brink of collapse;
this is how it will come to pass
this and nothing else—
not the top one percent
tossing crumbs to the indigent;
nor corporate giants squeezing
every cent from the middle-class;
but, as it was in the beginning:
a brilliant flash of light!
followed by silence
dust
and ash.
~
Written by
Ahavati
(Tams)
Published 28th Sep 2019
| Edited 14th May 2022
Author's Note
For the Classic Comp T.S. Eliot Tribute: https://deepundergroundpoetry.com/forum/competitions/read/10958/
Due to the nature of some images I have marked this adult content.
Inspirational poem: The Hollow Men https://www.d.umn.edu/~tbacig/cst1010/chs/eliot.html
Due to the nature of some images I have marked this adult content.
Inspirational poem: The Hollow Men https://www.d.umn.edu/~tbacig/cst1010/chs/eliot.html
All writing remains the property of the author. Don't use it for any purpose without their permission.
likes 25
reading list entries 18
comments 46
reads 1379
Commenting Preference:
The author encourages honest critique.
Re. The Hallowed Wo/Men
28th Sep 2019 11:08pm
An epic posting.
So many powerful lines here Ahavati
" conflict, death— conflict, death
we follow no other compass."
... is what struck me most.
So many powerful lines here Ahavati
" conflict, death— conflict, death
we follow no other compass."
... is what struck me most.
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Re: Re. The Hallowed Wo/Men
2nd Oct 2019 7:52pm
Thank you, Josh. Much appreciated.
If humanity has a different compass, I am unaware of it. . .
If humanity has a different compass, I am unaware of it. . .
Re. The Hallowed Wo/Men
Anonymous
- Edited 29th Sep 2019 1:01am
29th Sep 2019 00:05am
"Another era of repetition
puncture a historic dial—
become a thorn inside seconds
meaningless at the core; hollow—
one no different than the other
the other no difference than before;
each brigade of sixty seconds
or minutes, marching as to war
one by one follow the hands
hour after hour,
until their time is no more."
This has to be one of the most beautifully written stanzas ever.
Time is hollow and empty. Numbers are meaningless things unless meaning is attached to them. So what we have here is an endless parade of opportunity being squandered with meaningless (re)actions, the going through the motions, the lessons not learned paving the way for history repeating itself.
The forward progression of time sets the pace of the poem: relentless.
"Here is where repetition is born:
a needle dancing with its own echo
in the parlor— scratchy throated—
a shallow crevice preventing
forward movement
into the heart of the song—
its music trapped in time
repeating itself, mirroring
over and over:
conflict, death— conflict, death
we follow no other compass."
Again, history repeating itself, symbolized by a skipping record.
Meanwhile the repetitions of "conflict, death" stand out incredibly like that skipping.
"How have we evolved into colonialism—
escaping the Gun Powder plot
beneath the Houses of Parliament
distracting from the blood disease
of imperialistic ideology—
its hand stretched forth in greed
continents between fingers;
roots exposed, dangling limbs of Being-
repeating itself— over and over
until it becomes a mantra
for future generations:
conflict, death— conflict, death
we follow no other compass."
"blood disease" is an interesting choice of words to describe royalty inheriting the earth without any effort and passing on beliefs of entitlement.
"Battlefield earth, her symbiosis designed
to accommodate the whole of Life—
looks no different than the other
the other no different than before—
spears, arrows, weapons of rock:
Cain, Able, the cost jealousy affords
when we covet our brother’s lot.
Sword, musket, antler knife, gunpowder
treason and plot— who does remember
they are their brother’s keeper
in the midst of tragic loss."
OMG what another wonderful stanza.
"Between the beginning and end
lies the repetition;
between the opening and closing
lies the repetition;
within the solar plexus of the repetition
lies an unmeasured lesson
in time, pain, and experience."
The mention of the lesson as "unmeasured" actually comes across as immeasurable or invaluable and thus vast in what can be reaped.
"Fertile lands embraced
our foreign ways of trade
between ocean and land;
beyond islands and continents—
its hair invisibly combed
into banners of conquerors."
Wow.
"Those hallowed men and women—
those colored-skinned nations
their ancient customs foreign;
spun from great dynasties of spirit
into silken tapestries of origin.
They were the meek ones—
the workers, providers;
their offerings suffocated
into martyrdom from nooses
whipping poles, diseased blankets
and boiling sugar water."
Here is where the describing of people as "hallowed" contrasts with how they will eventually be treated as slaves: valued as property and yet valueless as life is not revered as sacred.
"Sparks rising from pyres in the night—
dissipated of their heat, disappearing
behind their cloaks of darkness;
their burial palls black as graves—
legends, burnt offerings
of flesh melting from bone—
their slayers asleep in their beds
visions of the new world
circling over homesteads—
warpaint of pride, conquest
smeared across their dreams."
This right here? What a haunting prospect to be inside the minds of imperialists. This stanza is a brutal assault of visualizations and sensations.
The final stanzas show us the playing field leveled as nature is ruined for everyone through democracy and capitalism that was supposed to be a trade up from dynasties and feudalism. Imperialism is revived and history repeats itself in an effort to claim title to the remaining resources.
Only this time around, WMDs exist.
The earlier nod to sci-fi movie "Battlefield Earth" could actually be what comes next: Earth a barren wasteland where an alien race in search of resources enslaves humans.
❤📝
PHENOMENAL poem. It is a real work of art.
puncture a historic dial—
become a thorn inside seconds
meaningless at the core; hollow—
one no different than the other
the other no difference than before;
each brigade of sixty seconds
or minutes, marching as to war
one by one follow the hands
hour after hour,
until their time is no more."
This has to be one of the most beautifully written stanzas ever.
Time is hollow and empty. Numbers are meaningless things unless meaning is attached to them. So what we have here is an endless parade of opportunity being squandered with meaningless (re)actions, the going through the motions, the lessons not learned paving the way for history repeating itself.
The forward progression of time sets the pace of the poem: relentless.
"Here is where repetition is born:
a needle dancing with its own echo
in the parlor— scratchy throated—
a shallow crevice preventing
forward movement
into the heart of the song—
its music trapped in time
repeating itself, mirroring
over and over:
conflict, death— conflict, death
we follow no other compass."
Again, history repeating itself, symbolized by a skipping record.
Meanwhile the repetitions of "conflict, death" stand out incredibly like that skipping.
"How have we evolved into colonialism—
escaping the Gun Powder plot
beneath the Houses of Parliament
distracting from the blood disease
of imperialistic ideology—
its hand stretched forth in greed
continents between fingers;
roots exposed, dangling limbs of Being-
repeating itself— over and over
until it becomes a mantra
for future generations:
conflict, death— conflict, death
we follow no other compass."
"blood disease" is an interesting choice of words to describe royalty inheriting the earth without any effort and passing on beliefs of entitlement.
"Battlefield earth, her symbiosis designed
to accommodate the whole of Life—
looks no different than the other
the other no different than before—
spears, arrows, weapons of rock:
Cain, Able, the cost jealousy affords
when we covet our brother’s lot.
Sword, musket, antler knife, gunpowder
treason and plot— who does remember
they are their brother’s keeper
in the midst of tragic loss."
OMG what another wonderful stanza.
"Between the beginning and end
lies the repetition;
between the opening and closing
lies the repetition;
within the solar plexus of the repetition
lies an unmeasured lesson
in time, pain, and experience."
The mention of the lesson as "unmeasured" actually comes across as immeasurable or invaluable and thus vast in what can be reaped.
"Fertile lands embraced
our foreign ways of trade
between ocean and land;
beyond islands and continents—
its hair invisibly combed
into banners of conquerors."
Wow.
"Those hallowed men and women—
those colored-skinned nations
their ancient customs foreign;
spun from great dynasties of spirit
into silken tapestries of origin.
They were the meek ones—
the workers, providers;
their offerings suffocated
into martyrdom from nooses
whipping poles, diseased blankets
and boiling sugar water."
Here is where the describing of people as "hallowed" contrasts with how they will eventually be treated as slaves: valued as property and yet valueless as life is not revered as sacred.
"Sparks rising from pyres in the night—
dissipated of their heat, disappearing
behind their cloaks of darkness;
their burial palls black as graves—
legends, burnt offerings
of flesh melting from bone—
their slayers asleep in their beds
visions of the new world
circling over homesteads—
warpaint of pride, conquest
smeared across their dreams."
This right here? What a haunting prospect to be inside the minds of imperialists. This stanza is a brutal assault of visualizations and sensations.
The final stanzas show us the playing field leveled as nature is ruined for everyone through democracy and capitalism that was supposed to be a trade up from dynasties and feudalism. Imperialism is revived and history repeats itself in an effort to claim title to the remaining resources.
Only this time around, WMDs exist.
The earlier nod to sci-fi movie "Battlefield Earth" could actually be what comes next: Earth a barren wasteland where an alien race in search of resources enslaves humans.
❤📝
PHENOMENAL poem. It is a real work of art.
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Re: Re. The Hallowed Wo/Men
2nd Oct 2019 7:52pm
Thank you for this amazing reply - I truly appreciate your time and attention to this. It was a very emotional thing to write because I experienced much of it, particularly desegregation, personally. Wars don't always involved foreign soil and automatic weapon fire. But, they do scar nonetheless.
Re: Re. The Hallowed Wo/Men
Anonymous
2nd Oct 2019 9:49pm
💜
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Re. The Hallowed Wo/Men
You have nooooooooooo idea how i long for another big flash of light.......
i am in everlasting constant emotional pain.
So much i want to share with You here and so much i should not.........will not.
am i still crying? Yes. & maybe for a very long time
(am consulting with my spiritual consult about You with respect to infecting me as i try to crawl the last few meters of my Tao)
i am in everlasting constant emotional pain.
So much i want to share with You here and so much i should not.........will not.
am i still crying? Yes. & maybe for a very long time
(am consulting with my spiritual consult about You with respect to infecting me as i try to crawl the last few meters of my Tao)
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Re: Re. The Hallowed Wo/Men
2nd Oct 2019 7:58pm
Oh Tallen, I was emotional during this as well, having experienced much of it first hand. I remember clan rallies ( my father was against them - but I remember them marching through the Deep South ). I attended first grade on the heels of desegregation, when the battles were still being fought. My father served two tours in Vietnam.
Yet, with all that going on - the world doesn't seem like a better place today, with the exception of like-minded I've connected with. They, such as yourself, are a comfort.
Thank you.
Yet, with all that going on - the world doesn't seem like a better place today, with the exception of like-minded I've connected with. They, such as yourself, are a comfort.
Thank you.
Re: Re. The Hallowed Wo/Men
2nd Oct 2019 9:18pm
I lived with a married couple -- off and on -- for 30+ years. He's a Black man who grew up Catholic in Iowa and she is woman who grew up Irish Baptist in Milton, MA.
They met at a prodigious Arts & Crafts College in Northern California.
They used to share many a horrific story about their college days where people driving down the street would Yell expletives and throw bottles at them.
Make my heart cry............i still cry while typing this.
I know it's not very Buddhist of me
but i told my (best) Friend that i would take out anyone he or his wife wanted (at no charge).
Have i ever shared with You how much i abhor racism? Growing up in Hawaii, me and my siblings experience this from not only whites and Japanese but from the same in our own Family blood relatives.
Sometimes.......sometimes I wish i was a fuckin' alien from another dispensation.........Dimension.
Sorry for this share..........rant --
not feeling human lately.........
They met at a prodigious Arts & Crafts College in Northern California.
They used to share many a horrific story about their college days where people driving down the street would Yell expletives and throw bottles at them.
Make my heart cry............i still cry while typing this.
I know it's not very Buddhist of me
but i told my (best) Friend that i would take out anyone he or his wife wanted (at no charge).
Have i ever shared with You how much i abhor racism? Growing up in Hawaii, me and my siblings experience this from not only whites and Japanese but from the same in our own Family blood relatives.
Sometimes.......sometimes I wish i was a fuckin' alien from another dispensation.........Dimension.
Sorry for this share..........rant --
not feeling human lately.........
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Re: Re. The Hallowed Wo/Men
2nd Oct 2019 9:22pm
You're here to make a difference in the world, Tallen. To overcome diversity and abuse with Love. People see that.
When we lived in England, I was the only girl allowed to babysit for an interracial couple - no one else would allow their daughters to. We left deep south Mississippi and found what we'd left staring right back at us.
It was crazy.
When we lived in England, I was the only girl allowed to babysit for an interracial couple - no one else would allow their daughters to. We left deep south Mississippi and found what we'd left staring right back at us.
It was crazy.
Re: Re. The Hallowed Wo/Men
2nd Oct 2019 9:28pm
thank You for understanding
i think
for me
racism is my greatest obstacle
towards reaching enlightenment
i don't believe i will make it this time.....
sad : (
i think
for me
racism is my greatest obstacle
towards reaching enlightenment
i don't believe i will make it this time.....
sad : (
0
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Re: Re. The Hallowed Wo/Men
2nd Oct 2019 9:31pm
Re. The Hallowed Wo/Men
29th Sep 2019 1:38am
Thus the story of man rolls on and goes nowhere. Excellent write Ahvanti.
luv's
buddhakitty.
luv's
buddhakitty.
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Re: Re. The Hallowed Wo/Men
2nd Oct 2019 7:59pm
Thank you, Kitts. It does appear circular at times, doesn't it?
So much appreciated.
So much appreciated.
Re. The Hallowed Wo/Men
back another time to give this the reading time it's due. a tour-de-force, aha!
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Re. The Hallowed Wo/Men
29th Sep 2019 6:53am
Hey, It is hard to write like a master poet and still fill the page with original thought but you did it Really luved this inspirational. Xxxx
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Re: Re. The Hallowed Wo/Men
2nd Oct 2019 8:00pm
Thank you, imogee. That is really a wonderful observation that's truly appreciated. xo
Re. The Hallowed Wo/Men
Anonymous
29th Sep 2019 10:54am
As an Eliot fan, this resonates deeply. As stated above, is truly an epic capture of the human condition and much more.
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Re: Re. The Hallowed Wo/Men
2nd Oct 2019 8:00pm
Rob, when you RL a classic tribute such as Eliot, I know I've hit a homerun. Thank you; muchly appreciated.
Re. The Hallowed Wo/Men
29th Sep 2019 12:30pm
In stanza 1 "Marching as to war" has an allusion to "onward Christian soldiers" - which perhaps lends an air of "righteous war" to one side. And the end rhyme of "war" with "more" was good.
In stanza 2, the image of a jumping record was particularly gripping, and masterly written.
I liked the repetition of "conflict, death— conflict, death // we follow no other compass. " and also the repetition of the word repetition, emphasising the repetitive nature of conflict.
The concluding part of this poem is dark and thoughtful. the italicised emphasis on the third "this world" ... life systems on the brink of collapse ... not the top 1% ... nor the corporate giants ... and then a frightening reversal of "in the beginning there was light".
It's a poem that merits many readings.
SeaCat
In stanza 2, the image of a jumping record was particularly gripping, and masterly written.
I liked the repetition of "conflict, death— conflict, death // we follow no other compass. " and also the repetition of the word repetition, emphasising the repetitive nature of conflict.
The concluding part of this poem is dark and thoughtful. the italicised emphasis on the third "this world" ... life systems on the brink of collapse ... not the top 1% ... nor the corporate giants ... and then a frightening reversal of "in the beginning there was light".
It's a poem that merits many readings.
SeaCat
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Re: Re. The Hallowed Wo/Men
2nd Oct 2019 8:01pm
Re. The Hallowed Wo/Men
Anonymous
29th Sep 2019 1:29pm
<< post removed >>
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Re: Re. The Hallowed Wo/Men
2nd Oct 2019 8:05pm
Re. The Hallowed Wo/Men
29th Sep 2019 3:23pm
This is powerful and furious. I love the fearless prediction of it. I am coming back when I have time to listen to the spoken word. There's so much to appreciate here. It's heavy and aggressive unlike many you write it retains your calm soul. Loved it. Just loved it.
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Re: Re. The Hallowed Wo/Men
2nd Oct 2019 8:06pm
Thank you, Poppy. I truly appreciate that observation. Thank you always for your support. xo
Re. The Hallowed Wo/Men
29th Sep 2019 7:14pm
Dear A,
I’m not sure where I could even begin and not sound immature, uninformed, underdeveloped. This piece is so epic as Josh aptly states. When you see atrocities of this magnitude in this format and are reminded of the immense horrors inflicted it’s staggering. In my tiny way I pray the bit I play in my own corner of the world is helpful to someone and in turn they can help another. But this overwhelms me. Exquisitely, and masterfully done don’t begin to touch this. I wonder at what it took out of you to write this? I’d have to be hospitalized. I will end with Brilliant! H🌷
I’m not sure where I could even begin and not sound immature, uninformed, underdeveloped. This piece is so epic as Josh aptly states. When you see atrocities of this magnitude in this format and are reminded of the immense horrors inflicted it’s staggering. In my tiny way I pray the bit I play in my own corner of the world is helpful to someone and in turn they can help another. But this overwhelms me. Exquisitely, and masterfully done don’t begin to touch this. I wonder at what it took out of you to write this? I’d have to be hospitalized. I will end with Brilliant! H🌷
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Re: Re. The Hallowed Wo/Men
2nd Oct 2019 8:14pm
Thank you, Honoria. I appreciate the kind observations, honestly. I think it's safe to say you make the world a better place, particularly if your real life reflects your actions here on DUP. In all honesty, it took a few days to recover from this one. As I had experienced some of it firsthand, it was like revisiting a few childhood nightmares.
I've been wanting to write something like this for a very long time, and I think this exorcised the ghosts for sure.
Thank you again.
I've been wanting to write something like this for a very long time, and I think this exorcised the ghosts for sure.
Thank you again.
Re. The Hallowed Wo/Men
29th Sep 2019 7:16pm
came back to read this properly today
made the mistake of playing the video with it. it wasn't the pictures, haunting as they are, but i listened to the music as i read and heard your words. too many tears to comment further. you hit a home run.
made the mistake of playing the video with it. it wasn't the pictures, haunting as they are, but i listened to the music as i read and heard your words. too many tears to comment further. you hit a home run.
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Re: Re. The Hallowed Wo/Men
butters you humble and honor me with that response. I am indebted. Thank you so much. So happy you decided to check DU out. So happy some of the natives didn't chase you off the island. ;)
Re. The Hallowed Wo/Men
Anonymous
30th Sep 2019 8:55pm
I would have passed out from oxygen deprivation reading this aloud.
I don't know how you do it, but you do it damn well.
Once again ..... uhmmmmm 😌
I don't know how you do it, but you do it damn well.
Once again ..... uhmmmmm 😌
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Re. The Hallowed Wo/Men
1st Oct 2019 1:21am
I especially liked your use of the skipping record to mirror the way we repeat ourselves, each battle the same as the ones that came before. The only difference being the weapons used. I fear that the last flash though will come from some mistake made by a computer in what passes for peace these days. It's almost happened before and in my mind it will happen again.
I loved it.
I loved it.
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Re: Re. The Hallowed Wo/Men
2nd Oct 2019 8:18pm
Thank you, thinlane. Your observations about repetition, unfortunately, are true. I read an analysis of Eliot's Hollow Men years and years ago, and it reference repetition - something I had not garnered from reading it firsthand. Years later, I understood that the essence was bound in repetition indeed.
Thank you for your time and kind words. They are appreciated.
Thank you for your time and kind words. They are appreciated.
Re. The Hallowed Wo/Men
1st Oct 2019 1:45am
BANG!!! Eliot was known to have read Nietzsche...like most of the great artists...Poets...so when Nietzsche predicted that the 21st century will see wars like we have never seen before...everyone took note. I love reading the myths that are in all the ancient stories and one of my favorites is the Garden of Eden story in the Bible...when we ate from the tree of knowledge and became disconnected from the rest of nature...we had to be booted out of the garden...the human being is the most rapacious creature on the planet. Your poem A captures the history of the human animal in all its dark ugliness...because that is the creature we are...greedy sinners we are...it's getting warm, must turn on my air-conditioner lol.
Cheers...Harry
P.S. An interesting article if you can find it...Nietzsche's Theory of Tragedy in the Plays of T. S. Eliot
Linda Leavell
Twentieth Century Literature
Cheers...Harry
P.S. An interesting article if you can find it...Nietzsche's Theory of Tragedy in the Plays of T. S. Eliot
Linda Leavell
Twentieth Century Literature
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Re: Re. The Hallowed Wo/Men
2nd Oct 2019 8:21pm
Thank you, my friend!
I love biblical parables as well; I have always related to them in a non-literal, prophetic sense which wasn't always popular with the Christian natives I was a part of. I thank you kindly and most appreciatively for your extended observations, unfortunately, regarding the dark part of humanity. I wish it could be lighter - but there are the helpers in there, somewhere keeping the balance.
I will look up that Theory and give it a read. I've read lots of Nietzsche but I can't recall that one, despite having studied him and Eliot. Thanks for the recommendation!
I love biblical parables as well; I have always related to them in a non-literal, prophetic sense which wasn't always popular with the Christian natives I was a part of. I thank you kindly and most appreciatively for your extended observations, unfortunately, regarding the dark part of humanity. I wish it could be lighter - but there are the helpers in there, somewhere keeping the balance.
I will look up that Theory and give it a read. I've read lots of Nietzsche but I can't recall that one, despite having studied him and Eliot. Thanks for the recommendation!
Re: Re. The Hallowed Wo/Men
2nd Oct 2019 9:38pm
" but there are the helpers in there, somewhere keeping the balance."
... I have experienced them, lying in a crop circle a few hours after it was formed when attending a crop-circle conference near Marlborough in the early 2000s. Apart from the astonishing pattern, and observing the way the wheat-stalks were gently laid over but not broken, and the way certain whisps of wheat stalks were interwoven like pixels at regular intervals, I had this overwhelming sense that there were some 'good forces' on 'our side' - and the remembrance of this experience still uplifts me whenever I sense the brooding darkness expanding over the world becomes too overwhelming.
... I have experienced them, lying in a crop circle a few hours after it was formed when attending a crop-circle conference near Marlborough in the early 2000s. Apart from the astonishing pattern, and observing the way the wheat-stalks were gently laid over but not broken, and the way certain whisps of wheat stalks were interwoven like pixels at regular intervals, I had this overwhelming sense that there were some 'good forces' on 'our side' - and the remembrance of this experience still uplifts me whenever I sense the brooding darkness expanding over the world becomes too overwhelming.
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Re: Re. The Hallowed Wo/Men
2nd Oct 2019 9:44pm
Thank you for sharing that, Josh. I have been told that the energy of a crop circle, particularly as soon after it's discovered, is something amazing and akin to that of a solar eclipse. This last solar eclipse was an amazing infusion of hope - much like that crop circle.
Re. The Hallowed Wo/Men
2nd Oct 2019 2:37am
Re: Re. The Hallowed Wo/Men
2nd Oct 2019 8:25pm
Re. The Hallowed Wo/Men
2nd Oct 2019 3:03pm
This is so so good A, layers upon layers of imagery to heighten the plight...I will definitely come back for a few more reads when I have proper time.
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Re: Re. The Hallowed Wo/Men
2nd Oct 2019 8:25pm
Tim your words are very much appreciated and welcome. Thank you so much for your observations.
Re. The Hallowed Wo/Men
3rd Oct 2019 3:26am
This is a great elaboration of what I find to be a very mysterious, yet poignant poem (The Hollow Men). I think I understand it better after reading your interpretation; the hollowness is born of a cycle that repeats itself and is never filled, but perpetuated. It seems these perpetuations of man's ills is a theme prominent in many of TS Elliots writings, he often points to the cyclic nature of things. This was mind expanding, with the drama of TS Elliot, also I liked all the alliterations you used in the first stanza, it sounded good..
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Re: Re. The Hallowed Wo/Men
Thank you, PR. The second poem in the Four Quartets ( or Four Locations ), East Coker, is a little village that Eliot traced his ancestry back to. You can go into the Anglican parish church and view Eliot's ashes. On the church wall he attributed a line from "In my beginning is my end. Of your kindness, pray for the soul of Thomas Stearns Eliot." Which mean the end for which we are created is conception. Our beginning is our destiny, and what we do with time is the question Prufrock didn't want to ask, "Do not ask what it is?"
In the The Hollow Men, Eliot addresses that question. His work is circular within itself as well - entwined section to section, poem to poem, interlinked and woven as life.
Thank you for your observations. They are much appreciated.
In the The Hollow Men, Eliot addresses that question. His work is circular within itself as well - entwined section to section, poem to poem, interlinked and woven as life.
Thank you for your observations. They are much appreciated.
Re: Re. The Hallowed Wo/Men
4th Oct 2019 4:12am
That's fascinating info, thanks, good to know since I'm working on another write related to it :)
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Re. The Hallowed Wo/Men
7th Oct 2019 11:35pm
Re: Re. The Hallowed Wo/Men
7th Oct 2019 11:36pm