deepundergroundpoetry.com
City sky and country hills
The lure of nature grows in its absence.
A lost love hurts more than love delayed.
Mine I surrendered. Its recapture
Showed the full spectrum of what was missed.
A country boy, at first by the seashore
And then entranced by meadows, paths and woods,
By hills and streams and with all that moved there.
Even my university abutted
The Alice in Wonderland river bank.
As a man I embraced the big city.
Who could make a life and future elsewhere?
Yet city suburbs are the no man's land,
A transit camp with a daily release
Onto claustrophobic buses and trains.
In central London, ambition achieved,
Only to find that hub was a desert
Of nature- tamed domesticated
Vegetation in its manicured parks,
Water birds as exotic decoration.
Nature did fight back. Starlings would take roost
In hundred in the trees of Leicester Square,
Their nocturnal conversations drowning
The human noise of the entertainment
Centre of London- until the trees were felled.
Yet there was one element of nature
Which turned these arrogant humans into
Inconsequential specks of dust.The sky.
Let in when clearing the smog, the people
Then tried to exclude it with their buildings
And by their night time blaze of glaring light.
In one place, the sky triumphed in its
Immensity and variety.
At Waterloo Bridge, to the east St. Pauls,
To the west the Houses of Parliament,
Faded into structures evanescent
The sky had forgot to obliterate.
That sky changed from day to day. Benign or
A threat, imperious or spectacular,
No wonder it turned the song "Waterloo
Sunset" into celebration and not
The usual hoped for or dreamt of.
In the end, I could not resist the pull
Of that tangible nature which brushes against
The cheek. In the Calder valley and its
Enveloping hills, trees and plants and
Birds and mammals are within touching distance.
The bleak grandeur of its hills had inspired
Reconstruction by Emily Bronte
Of human relationships with nature.
The valley was home to more recent poets-
In life, Ted Hughes. In death, Sylvia Plath.
The salute to the warm immediacy
Of the valley leading onto Bronte's
Depiction of people liberated
By wild beauty is a continuum
Completed by the sky of Waterloo.
Perhaps the best way to comprehend and
Not be shackled by the natural world.
A lost love hurts more than love delayed.
Mine I surrendered. Its recapture
Showed the full spectrum of what was missed.
A country boy, at first by the seashore
And then entranced by meadows, paths and woods,
By hills and streams and with all that moved there.
Even my university abutted
The Alice in Wonderland river bank.
As a man I embraced the big city.
Who could make a life and future elsewhere?
Yet city suburbs are the no man's land,
A transit camp with a daily release
Onto claustrophobic buses and trains.
In central London, ambition achieved,
Only to find that hub was a desert
Of nature- tamed domesticated
Vegetation in its manicured parks,
Water birds as exotic decoration.
Nature did fight back. Starlings would take roost
In hundred in the trees of Leicester Square,
Their nocturnal conversations drowning
The human noise of the entertainment
Centre of London- until the trees were felled.
Yet there was one element of nature
Which turned these arrogant humans into
Inconsequential specks of dust.The sky.
Let in when clearing the smog, the people
Then tried to exclude it with their buildings
And by their night time blaze of glaring light.
In one place, the sky triumphed in its
Immensity and variety.
At Waterloo Bridge, to the east St. Pauls,
To the west the Houses of Parliament,
Faded into structures evanescent
The sky had forgot to obliterate.
That sky changed from day to day. Benign or
A threat, imperious or spectacular,
No wonder it turned the song "Waterloo
Sunset" into celebration and not
The usual hoped for or dreamt of.
In the end, I could not resist the pull
Of that tangible nature which brushes against
The cheek. In the Calder valley and its
Enveloping hills, trees and plants and
Birds and mammals are within touching distance.
The bleak grandeur of its hills had inspired
Reconstruction by Emily Bronte
Of human relationships with nature.
The valley was home to more recent poets-
In life, Ted Hughes. In death, Sylvia Plath.
The salute to the warm immediacy
Of the valley leading onto Bronte's
Depiction of people liberated
By wild beauty is a continuum
Completed by the sky of Waterloo.
Perhaps the best way to comprehend and
Not be shackled by the natural world.
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