deepundergroundpoetry.com
sweet reverie
an octet
h e r
friendship
cascades cool
upon my brow
all the livelong day,
quenching that thirst in me
that no other lure could cure.
violins, soft strains retrieving,
melodies, my spirit cleaving,
land me on pacific shores,
where time’s sweet reverie
fashions from my clay
the will to know
by what rules
her ships
stir.
© Copyright 2019 June 19
by Clyve A. Bowen♫
h e r
friendship
cascades cool
upon my brow
all the livelong day,
quenching that thirst in me
that no other lure could cure.
violins, soft strains retrieving,
melodies, my spirit cleaving,
land me on pacific shores,
where time’s sweet reverie
fashions from my clay
the will to know
by what rules
her ships
stir.
© Copyright 2019 June 19
by Clyve A. Bowen♫
Published 20th Jun 2019
Author's Note
View visual (copy/paste):
http://mydo.cx/OGU5Yzlh
An experiment in formatting, the shadowed text (in the visual) being the sympathetic echoes and not the prime content. It will be possible in future to carry, in the same space, two separate poems differentiated by font colour.
http://mydo.cx/OGU5Yzlh
An experiment in formatting, the shadowed text (in the visual) being the sympathetic echoes and not the prime content. It will be possible in future to carry, in the same space, two separate poems differentiated by font colour.
All writing remains the property of the author. Don't use it for any purpose without their permission.
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Commenting Preference:
The author encourages honest critique.
Anonymous
- Edited 21st Oct 2019 5:45am
20th Jun 2019 11:31pm
<< post removed >>
Thanks for your encouraging comment, HF.
Actually, the octet format is less challenging than I make it seem: a) while I practice the mirror effect, the count can be 1-8 or 8-1, without mirroring; b) whereas I use end-to-end rhyming (every line rhymes with its counterpart), the original octet uses no rhyme.
sincerely
cab
Actually, the octet format is less challenging than I make it seem: a) while I practice the mirror effect, the count can be 1-8 or 8-1, without mirroring; b) whereas I use end-to-end rhyming (every line rhymes with its counterpart), the original octet uses no rhyme.
sincerely
cab
