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Mortem Immaturus in Maio: A Scene of Putrescence, Grief, and Rain
The grime-coated walls of a cement-made bodega house a family of two; her mother cries out beside her, howling, a grief-stricken tune—it is a dog-eat-dog world after all. Four walls echo silence and few.
The buzz of an old lightbulb— swarmed by a myriad of flying termites, the quiet whine of my panicked and labored breath, the heaving and puffing of a mother dog.
The skies cry out above us: its tears soaking the unclipped growth—that surrounds concrete foundations. A reek astir, odor of: wet loam, mold, fungi, and wood encapsulates us in a bubble, suffocating, with a humid warmth; a repugnant rusty taste on my tongue,
spreading, infecting, infesting. My mouth waters with sour spit.
I crouch beside her, stunned and unable, her gaze unmoving—as we seek some sort of unspoken respite in each other. I feel the bile rising up the flesh of my throat—a stomach-drop feeling, as I realize that it wasn’t dog shit that I touched.
May is the month of entrails and death.
The buzz of an old lightbulb— swarmed by a myriad of flying termites, the quiet whine of my panicked and labored breath, the heaving and puffing of a mother dog.
The skies cry out above us: its tears soaking the unclipped growth—that surrounds concrete foundations. A reek astir, odor of: wet loam, mold, fungi, and wood encapsulates us in a bubble, suffocating, with a humid warmth; a repugnant rusty taste on my tongue,
spreading, infecting, infesting. My mouth waters with sour spit.
I crouch beside her, stunned and unable, her gaze unmoving—as we seek some sort of unspoken respite in each other. I feel the bile rising up the flesh of my throat—a stomach-drop feeling, as I realize that it wasn’t dog shit that I touched.
May is the month of entrails and death.
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