Fantômas contre Charlot.

The poet, like any other artist
(or confidence-man), lures with  
   
beautiful dreams: either trading  
monotony for unique labyrinths,  
   
or simplify complexities, into a    
deceptive restatement of nature.    
   
It amuses them, to arrange things    
one way, and then back again:    
   
creating silent comedies, whereby    
two people undergo an instant    
   
transformation, simply through    
a changing of costumes: where an

innocent becomes imprisoned,    
and the prisoner now goes free.