deepundergroundpoetry.com
Death of a Big Fish
for David Lynch
The strangeness inherent in you
was not disturbing, in the end,
not in a sense that prophesied flames, at least,
but opened up a strange vista,
one terrifying in Radcliffe’s vision
of what defines terror:
expanding your soul, not annihilating.
A woman in trouble. Wrapped in plastic.
Bipedal bunny rabbits in human clothes.
Dennis Hopper huffing gas.
Laura Dern with weird stretched-out smile.
Or LAX in brightest day.
The sentimental turned
to sinister. Black Lodge. Dwarf.
These painterly images writhe, disperse,
re-coalesce to form the waking dreams
that were your biggest fish,
aquatic unconscious, darkness to light.
In bold colours. Transcendent sight.
The strangeness inherent in you
was not disturbing, in the end,
not in a sense that prophesied flames, at least,
but opened up a strange vista,
one terrifying in Radcliffe’s vision
of what defines terror:
expanding your soul, not annihilating.
A woman in trouble. Wrapped in plastic.
Bipedal bunny rabbits in human clothes.
Dennis Hopper huffing gas.
Laura Dern with weird stretched-out smile.
Or LAX in brightest day.
The sentimental turned
to sinister. Black Lodge. Dwarf.
These painterly images writhe, disperse,
re-coalesce to form the waking dreams
that were your biggest fish,
aquatic unconscious, darkness to light.
In bold colours. Transcendent sight.
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