deepundergroundpoetry.com
syria
Syria
In the ugly streets of Homs I lied on my back snipersī fire hit
walls and filled my nose with cement dust and the horrid
smell of early death, the aftermath of abused young men
who have only murder and agony as a leading light to their
short future that holds no promise of peace.
Beside me a box shaped as a heart I knew it was a hand
grenade about to explode, soldiers came the grenade was
defused. They carried me in chair to the oceanīs strand.
High tide came I was free to join the dolphins, I had tried
life ashore it was fun for some time, but I always longed to
join my tribe, where I need no speak and just be.
We swim between the Azores and the coast of Portugal and
I`m bored to tears, which happens those who have grown out
of their old culture, but nevertheless I falsely warn dolphins
not to leave the sea, be tempted by the dry landīs pearls made
of tears spilt by us who will never get home, kitschy neon light
and New Orleansī jazz like it sounded in 1964.
In the ugly streets of Homs I lied on my back snipersī fire hit
walls and filled my nose with cement dust and the horrid
smell of early death, the aftermath of abused young men
who have only murder and agony as a leading light to their
short future that holds no promise of peace.
Beside me a box shaped as a heart I knew it was a hand
grenade about to explode, soldiers came the grenade was
defused. They carried me in chair to the oceanīs strand.
High tide came I was free to join the dolphins, I had tried
life ashore it was fun for some time, but I always longed to
join my tribe, where I need no speak and just be.
We swim between the Azores and the coast of Portugal and
I`m bored to tears, which happens those who have grown out
of their old culture, but nevertheless I falsely warn dolphins
not to leave the sea, be tempted by the dry landīs pearls made
of tears spilt by us who will never get home, kitschy neon light
and New Orleansī jazz like it sounded in 1964.
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