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she hurts the things she loves (Collaboration with John Feddeler, Part I)
Young. she’s much too young, I thought, & I am but a gigolo
who would taint the flower of her innocence. but her eyes,
her lips; her small hands, delicate cousins of the rain. too
young, she is, & I am much too weak.
there are men who detest the sordid, who are repelled by the
shame. but I? I caress the sordid; I embrace the shame.
she stood on the bridge: the Bridge of Sighs, we called it. I
approached timidly, & inquired if she was waiting for her
lover. she remained silent, & revealed the smile she had
liberated from Mona Lisa.
and so we stood upon the bridge, two strangers, gazing at the
water, the almost imperceptible splashes on the surface. it may
have been the moon, tossing her precious luna stones from the
strange, soft cradle of her arms, made more precious as she
gave them away. or the heart, as it breaks into little pieces.
her beauty was so enrapturous that I was caught in the snares
she cast out with nothing more than her mere proximity. I turned
her toward me, firmly; my lips fell upon hers in what I patrolled
as a kiss, but perhaps there was another name for it in hell.
she resisted for a moment; for another moment or two,
she acquiesced, & our heartbeats became a cantata
of exquisite rhythm.
suddenly, she pushed away; she regarded me with candle-flame
eyes, perhaps not of anger or regret, yet it impaled me. this was
her terrible swift sword of retribution, & she carried it in her eyes,
and in her heart.
‘I’m going home now,’ she said, a brigadier’s words in a meadowlark’s
voice. ‘don’t follow me.’ I watched her depart, as my heart abandoned
me, & trailed along in her shadow…
who would taint the flower of her innocence. but her eyes,
her lips; her small hands, delicate cousins of the rain. too
young, she is, & I am much too weak.
there are men who detest the sordid, who are repelled by the
shame. but I? I caress the sordid; I embrace the shame.
she stood on the bridge: the Bridge of Sighs, we called it. I
approached timidly, & inquired if she was waiting for her
lover. she remained silent, & revealed the smile she had
liberated from Mona Lisa.
and so we stood upon the bridge, two strangers, gazing at the
water, the almost imperceptible splashes on the surface. it may
have been the moon, tossing her precious luna stones from the
strange, soft cradle of her arms, made more precious as she
gave them away. or the heart, as it breaks into little pieces.
her beauty was so enrapturous that I was caught in the snares
she cast out with nothing more than her mere proximity. I turned
her toward me, firmly; my lips fell upon hers in what I patrolled
as a kiss, but perhaps there was another name for it in hell.
she resisted for a moment; for another moment or two,
she acquiesced, & our heartbeats became a cantata
of exquisite rhythm.
suddenly, she pushed away; she regarded me with candle-flame
eyes, perhaps not of anger or regret, yet it impaled me. this was
her terrible swift sword of retribution, & she carried it in her eyes,
and in her heart.
‘I’m going home now,’ she said, a brigadier’s words in a meadowlark’s
voice. ‘don’t follow me.’ I watched her depart, as my heart abandoned
me, & trailed along in her shadow…
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