deepundergroundpoetry.com
Inside a Weary Face
Line in speech marks taken from The Passion of Joan of Arc, a 1928 silent film. The accompanying image is also from the film; it depicts Renee Maria Falconetti in the title role.
What poets and fanatics want
is in that weary face:
a deep, authentic suffering,
a sacrifice to inner Hell.
"Has God made you promises?"
Has time, and art, and love?
What promise have you made to them?
The questions rise and judge,
a spectral court
like vultures old and fat
about a roadside corpse.
The rites of exorcism are forgot,
so old is this demon
that It cannot be borne
without a lasting scar.
In the footage, then the flesh...
In conception, and in death...
A sinner may be penitent,
A saint stubborn with faith,
but some possessions last and last,
and can be seen inside a weary face.
What poets and fanatics want
is in that weary face:
a deep, authentic suffering,
a sacrifice to inner Hell.
"Has God made you promises?"
Has time, and art, and love?
What promise have you made to them?
The questions rise and judge,
a spectral court
like vultures old and fat
about a roadside corpse.
The rites of exorcism are forgot,
so old is this demon
that It cannot be borne
without a lasting scar.
In the footage, then the flesh...
In conception, and in death...
A sinner may be penitent,
A saint stubborn with faith,
but some possessions last and last,
and can be seen inside a weary face.
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