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On Gentileschi's "Susanna and the Elders"
pictured: "Susanna and the Elders" by Artemisia Gentileschi (1593 - 1656)
No grass, or trees, or sky except a playroom blue
creased with cotton clouds. The stone divider
between Susanna's garden and the world
collapses in its duty, as grotesque and hateful
men leer down from the blank, blind-eyed sky,
invading the stone garden. One whispers in
the other's ear. Susanna's neck bends sideways.
The homestead has been breached, and ugly fate,
its mind and heart as bleak as weed-choked tombs,
now dictates the movements of the human actors.
The drama is drowned in punishing daylight,
and we see that evil lives in light as much as any
dim-lit grove where dryads dance together and alone.
The burning sun excludes even God and His prophets.
No grass, or trees, or sky except a playroom blue
creased with cotton clouds. The stone divider
between Susanna's garden and the world
collapses in its duty, as grotesque and hateful
men leer down from the blank, blind-eyed sky,
invading the stone garden. One whispers in
the other's ear. Susanna's neck bends sideways.
The homestead has been breached, and ugly fate,
its mind and heart as bleak as weed-choked tombs,
now dictates the movements of the human actors.
The drama is drowned in punishing daylight,
and we see that evil lives in light as much as any
dim-lit grove where dryads dance together and alone.
The burning sun excludes even God and His prophets.
Written by
The_Silly_Sibyl
(Jack Thomas)
Published 10th Jan 2017
All writing remains the property of the author. Don't use it for any purpose without their permission.
likes 7
reading list entries 2
comments 13
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The author encourages honest critique.
Re. On Gentileschi's "Susanna and the Elders"
10th Jan 2017 2:21am
Jack
that, dear fellow, was a pleasure to read. it is, in itself, a masterpiece ( you'll have to forgive the neo-liberal use of commas ..I think I caught asthma)
anyhow, a funny thing : opened it on my phone, page opened with half the picture on the screen, it looked like the guy in the red was doing something completely different
good stuff, Heslop
that, dear fellow, was a pleasure to read. it is, in itself, a masterpiece ( you'll have to forgive the neo-liberal use of commas ..I think I caught asthma)
anyhow, a funny thing : opened it on my phone, page opened with half the picture on the screen, it looked like the guy in the red was doing something completely different
good stuff, Heslop
1
Re: Re. On Gentileschi's "Susanna and the Elders"
10th Jan 2017 3:05am
Well, in the story, both men are wicked perverts, so it wouldn't surprise me if he was on the fiddle, if you know what I mean...
Re: Re. On Gentileschi's
just noticed the comma skit could have been perceived as a poke at your punctuation. ...believe me man, if I wanted to poke your exclamation mark..
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Re: Re. On Gentileschi's
10th Jan 2017 3:46am
Re. On Gentileschi's "Susanna and the Elders"
10th Jan 2017 7:17pm
First, that's one of my favorite paintings because it depicts in such a simplistic image the hearts of judgmental men toward youthful innocence. I love your verses on art particularly, as images are a heavy portion of my portfolio writes. They seem to strike a cord of recognition and original thought between history and present.
That being said, I'd suggest a revision to this:
The stone divider
between Susanna's garden and the world
collapses in its duty, as grotesque and hateful
men leer down from the blank, blind-eyed sky,
invading the stone garden.
The double use of stone and garden seemed to anticlimax the originality of the write for me. Perhaps if you could use wall in place of the last garden. You've already depicted the stone was a divider between the garden and the world at the beginning; therefore, saying it twice is redundant as well. It would also add some alliteration to "ear" in the following line (read aloud it strangely works).
In regards to commas, are they really needed at the end of lines, considering the end of lines typically signifies a natural pause? (Just asking.)
Overall I loved the verse. That final line is impeccable in its truth regarding the seeming blindness of God to man.
That being said, I'd suggest a revision to this:
The stone divider
between Susanna's garden and the world
collapses in its duty, as grotesque and hateful
men leer down from the blank, blind-eyed sky,
invading the stone garden.
The double use of stone and garden seemed to anticlimax the originality of the write for me. Perhaps if you could use wall in place of the last garden. You've already depicted the stone was a divider between the garden and the world at the beginning; therefore, saying it twice is redundant as well. It would also add some alliteration to "ear" in the following line (read aloud it strangely works).
In regards to commas, are they really needed at the end of lines, considering the end of lines typically signifies a natural pause? (Just asking.)
Overall I loved the verse. That final line is impeccable in its truth regarding the seeming blindness of God to man.
1
Re: Re. On Gentileschi's "Susanna and the Elders"
10th Jan 2017 10:01pm
Thank you for your great critique and kind words, Ahavati! I like to use repetition in poems, but I see your point and think I may have been too repetitive this time. As for commas, I use punctuation in my poems the way I would in prose, so each sentence makes grammatical sense whichever way you view it. Unless, that is, I eschew punctuation completely as part of the style. I do tend to over-use commas, though, in poetry and prose.
Thank you again for your very perceptive and helpful advice, I truly appreciate it.
Thank you again for your very perceptive and helpful advice, I truly appreciate it.
Re: Re. On Gentileschi's
11th Jan 2017 1:20am
punctuation is tricky, I think you're right, either
it should be used as one would in prose, or else
completely ignored, unless of course there is a
'poetical punctuation' all its own...
it should be used as one would in prose, or else
completely ignored, unless of course there is a
'poetical punctuation' all its own...
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Re: Re. On Gentileschi's
11th Jan 2017 2:36am
The idea of a "poetical punctuation" is interesting. I think if you could use punctuation marks in a consistent yet idiosyncratic way, that would work.
Re. On Gentileschi's "Susanna and the Elders"
10th Jan 2017 9:31pm
I have literally Apocryphal Bible story and agree with the foregoing comments. A parody of "Oh Susanna" came to mind as what their proposition might have been:
"Oh Susanna, will you lie with me? You look such a lovely bit of stuff in your nudity!"
"Oh Susanna, will you lie with me? You look such a lovely bit of stuff in your nudity!"
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Re. On Gentileschi's "Susanna and the Elders"
11th Jan 2017 8:25am
Your descriptions bring the art to life.
Really enjoyed this:
'The burning sun excludes even God and His prophets.'
A pleasure reading...
Really enjoyed this:
'The burning sun excludes even God and His prophets.'
A pleasure reading...
1
Re. On Gentileschi's "Susanna and the Elders"
15th Jan 2017 6:56am
much here to reflect on poem painting and the painter herself - whose ordeal is shadowed here.
an intriguing write much enjoyed
an intriguing write much enjoyed
1
Re. On Gentileschi's "Susanna and the Elders"
1st Feb 2017 7:26pm
Congratulations! This poem has been nominated for Deep Underground Poetry's Featured Poem of the Month Competition. You may view the nomination at the link below, and will be notified if selected.
https://deepundergroundpoetry.com/forum/competitions/read/9430/
Best of Luck and thank you for being a member of the Deep Side!
https://deepundergroundpoetry.com/forum/competitions/read/9430/
Best of Luck and thank you for being a member of the Deep Side!
1
Re. On Gentileschi's "Susanna and the Elders"
25th May 2021 3:39am
This is great. I like how you put this together. Your words bring light to the art and vice versa.
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