deepundergroundpoetry.com
The Last Mile
Jamis is up on the wrong side of the north sixty
the high exposed end
heading in
facing into the sun's glare
too far still for me to call out.
A mile as a crow would fly
one point eight as the arc of a bullet
and as a man would walk
it might just be infinite.
Memories of a woman are unreliable.
They glow in a perfume of soft edges and white lies.
When the thoughts go back looking for hard truths
they're deflected.
The picture comes up empty
and the only proof of that treasured past
still acceptable to the haunted mind is the thought that just once
it needs to set eyes upon her again.
The poor light of selective hindsight
brings the guilty back
to the scenes of their crimes,
draws a man full-circle around
toward what he'd left for good reason.
This is the light that conspires with mist
kicked-up by the cold
on any one of the too many nights
lost in the short season
watching from the foothills
from the unmowed sides of hayfields.
The haze-light blunts the edges of even the most violent rooms
in a shroud of nostalgia.
A moving shape is plain upon the upper pasture.
The fields will slope off to sycamore.
There will be a river.
There will be only one best place
to try to cross
to try to return.
the high exposed end
heading in
facing into the sun's glare
too far still for me to call out.
A mile as a crow would fly
one point eight as the arc of a bullet
and as a man would walk
it might just be infinite.
Memories of a woman are unreliable.
They glow in a perfume of soft edges and white lies.
When the thoughts go back looking for hard truths
they're deflected.
The picture comes up empty
and the only proof of that treasured past
still acceptable to the haunted mind is the thought that just once
it needs to set eyes upon her again.
The poor light of selective hindsight
brings the guilty back
to the scenes of their crimes,
draws a man full-circle around
toward what he'd left for good reason.
This is the light that conspires with mist
kicked-up by the cold
on any one of the too many nights
lost in the short season
watching from the foothills
from the unmowed sides of hayfields.
The haze-light blunts the edges of even the most violent rooms
in a shroud of nostalgia.
A moving shape is plain upon the upper pasture.
The fields will slope off to sycamore.
There will be a river.
There will be only one best place
to try to cross
to try to return.
Written by
braggman
(Steve Bragg)
Published 7th Jul 2013
| Edited 10th Jul 2013
All writing remains the property of the author. Don't use it for any purpose without their permission.
likes 11
reading list entries 3
comments 23
reads 682
Commenting Preference:
The author encourages honest critique.
Re: The Last Mile
7th Jul 2013 10:03pm
" Memories of a woman are unreliable.
They glow in a perfume of soft edges and white lies.
When the thoughts go back looking for hard truths
they're deflected.
The picture comes up empty
and the only proof of that treasured past
still acceptable to the haunted mind is the thought that just once
it needs to set eyes upon her again "
________________
you sure bout that? (ha).....excellent stanZa of
eXcellente poom......
a rare treat to see a bragger on the list.
would it were I could be so care-full ab'out my verbiaged blurtations....maybe not....
They glow in a perfume of soft edges and white lies.
When the thoughts go back looking for hard truths
they're deflected.
The picture comes up empty
and the only proof of that treasured past
still acceptable to the haunted mind is the thought that just once
it needs to set eyes upon her again "
________________
you sure bout that? (ha).....excellent stanZa of
eXcellente poom......
a rare treat to see a bragger on the list.
would it were I could be so care-full ab'out my verbiaged blurtations....maybe not....
2
re: Re: The Last Mile
8th Jul 2013 00:52am
Thanks man. Just messin about for practice. I may work it a bit or maybe throw it.
Re: The Last Mile
8th Jul 2013 2:36pm
Don't throw it! It's good. I like it xoxo like he said rare to see your name on my updates always glad when it is xoxo
2
re: Re: The Last Mile
8th Jul 2013 7:22pm
Girl, just for you I will spare the life of this little rural tale of love and retribution.
Re: The Last Mile
8th Jul 2013 4:48pm
There should be no doubt in your mind... because you're a skilful writer. An enjoyable read. Don't throw it!
1
re: Re: The Last Mile
8th Jul 2013 7:21pm
Thanks man for the kind words. I have read a few of yours and I dig your style too. I guess I'll just have to polish this up a bit if I'm going to leave it here.
Re: The Last Mile
9th Jul 2013 1:23pm
excellent stanzas man... reminds me of how i used to write (the killing of me, speechless, old times of aged inspirations and yet older venting)
i cant write like that anymore... glad to see you're not losing your touch. :)
i cant write like that anymore... glad to see you're not losing your touch. :)
1
re: Re: The Last Mile
Thanks. Maybe I might ask you a question or two. As I mentioned I was just messing about with this. It bothered me for three reasons. #1 because they are fictional characters I'm out of my element and the story sounds cliche and Hollywood. That part can't be helped without deleting it. 2 and 3 I need some advice on. #2 I think the image of the inexact memory of a woman is possibly an image that I lifted subconsciously from another writer. Does it ring a bell? #3 is the same, but even worse. I think I lifted the image of a violent room looking homey at a distance with its twinkling lights from another DUP poet. I can't place that either. That ring any bells as well?
re: re: Re: The Last Mile
11th Jul 2013 1:00pm
jesus dude why'd you have to point that out... now it does feel like i've read it somewhere... *bangs head*
you know i delete most of my work simply bcuz it feels like that or inadequate in someway... or overly done in other ways...
the point being all the poems i have lying around mean something important in my life or have been phases through which i have passed.
i have constantly failed to write successful fictional poetry.
you could always blend the real into the fictional to give it artificial life. maybe you can still save this work.
you know i delete most of my work simply bcuz it feels like that or inadequate in someway... or overly done in other ways...
the point being all the poems i have lying around mean something important in my life or have been phases through which i have passed.
i have constantly failed to write successful fictional poetry.
you could always blend the real into the fictional to give it artificial life. maybe you can still save this work.
0
Re: The Last Mile
10th Jul 2013 00:34am
Even if you haven't experienced this, you still hit the nail on the head. Memories of a woman are definitely unreliable. Our experiences are all limited, imagination is the refuge of a writer isn't it, why throw it away because its a little more imagined than the rest?
1
re: Re: The Last Mile
Thanks for the help and in addressing my concerns, DM. I have experienced the shifty ghosts of women past. I have even squared off against an armed husband as well. The whole extend story (man sleeps with forbidden woman, man leaves town and wanders, man watches her house from the distance at night, man is overcome by bad judgement, man returns for her in plain sight, husband waits at river to shoot him) sounds much like a bad Hollywood western. Now I'm prepared to live with that as long as the fuzzy woman memory and the distance disguising trouble images are fairly original. They are why I was willing to play with the story line. If it turns out I've just stolen my little bits of insight, then it's not really going to be a keeper. Thanks again for verifying the validity of the central image though. To hear that it rings true is gratifying.
Re: The Last Mile
10th Jul 2013 11:42am
wow
i'm kicking myself for not checking your stuff out sooner...
this is fucking great!!!
i'm kicking myself for not checking your stuff out sooner...
this is fucking great!!!
1
re: Re: The Last Mile
10th Jul 2013 1:42pm
Are you saying that I'm more than just a pretty face, Spacey? Just kidding. I know that if you had to base judgement solely upon my forum comments even I would have to assume that I was partially retarded. Thanks for the visit and the kind words.
Re: The Last Mile
13th Jul 2013 4:37pm
I think this is a fine write Mr Bragg. A great job considering it is fictional.
I tend to keep lines in my head from reading others works that may slip into my own work once in a while. The subconscious will do that. I imagine most us do it without even realising but have that sense of familiarity. :)
I tend to keep lines in my head from reading others works that may slip into my own work once in a while. The subconscious will do that. I imagine most us do it without even realising but have that sense of familiarity. :)
1
re: Re: The Last Mile
14th Jul 2013 12:28pm
Thanks Anita. I am probably a dirty plagiarist and will have to live with it forever. But you are right, we all are. Thanks for giving this a read.
...
Don't think it matters in a great way if some parts are recycled from other poems/stories, because that seems to be what a lot of writing is all about - reshaping stuff; trying an existing character out against a different background; making layers. It would be a shame for a particular phrase or idea to be only tested out once, in one poem, at one time, by one person. Is what I think, anyway.
I really liked the line 'a moving shape is plain upon the upper pasture' because it sounds like a weather report with a really sinister edge, especially in the way it appears suddenly between two blocks of writing. And I like how the last verse suspends that foreboding feeling for a bit in its prophecy-like way. Maybe the verse starting 'the poor light...' felt a little unnecessary, like it was saying things that said themselves without needing it to be written down (blah, that sounds all garbled, I know).
I really liked the line 'a moving shape is plain upon the upper pasture' because it sounds like a weather report with a really sinister edge, especially in the way it appears suddenly between two blocks of writing. And I like how the last verse suspends that foreboding feeling for a bit in its prophecy-like way. Maybe the verse starting 'the poor light...' felt a little unnecessary, like it was saying things that said themselves without needing it to be written down (blah, that sounds all garbled, I know).
1
re: ...
No not garbled at all. I truly felt that as I wrote through this. That stanza moved about to different spots. I wanted to tie the hazy light of memory, of physical distance, and of bad decisions together in a general mist. It seemed a clumsy transition and lately just dropped without a proper segue. I will look into that as my next target. I never really finish these things so it will get a bit more of the rewrite. You may be right about dropping it altogether, though. Or I may just save the second half of it and bury it in another stanza. Thanks for stopping in. Thanks for the concrete suggestions.
Re: The Last Mile
Anonymous
13th Aug 2013 3:41pm
Some good lines and a melancholic atmosphere, but I need more images. Too much of the poem, I think, is your narrator philosophising, as opposed to setting scenes or making the woman flesh and blood. JMHO, of course. You do establish a confidant mood here, which was palpable as I read. The second and last verses are my favourites because they're the darkest and most poignant. Thank you for the read.
1
re: Re: The Last Mile
13th Aug 2013 11:46pm
Yeah you're pretty much right. I may be able to take your suggestions and Merda's and re-work this, as I believe both of you have valid criticism of it. I may also just leave it be and take your suggestions to heart for the future.
Re: The Last Mile
10th Sep 2013 5:42pm
Read this eons ago, and the last stanza stuck in my head since. Word for word. The rest before it is probably as slick as you intended, a few lines that almost get lost in description, but swiftly move on. But that last stanza is pretty fuckin' good. Very good.
(Who starts sentences with buts these days?)
(Who starts sentences with buts these days?)
1
re: Re: The Last Mile
10th Sep 2013 5:54pm
I still do and must admit have to force myself not to have but sentences.
Thanks for the appreciation. I did like the ending myself and found I liked it better than the rest of the poem. I may go back and fix some of the wordiness, because it honestly isn't so slick. Jack and Merda had made some hints as such. I'm just being lazy about the past.
Thanks for the appreciation. I did like the ending myself and found I liked it better than the rest of the poem. I may go back and fix some of the wordiness, because it honestly isn't so slick. Jack and Merda had made some hints as such. I'm just being lazy about the past.
Re: The Last Mile
You depict so much through metaphoric brevity, taking hold in the lucid stanza structure. Your words have weight and pressure, this is especially true in the fourth stanza. I particularly liked the abstract settings each having their own meaning yet adding more to the rest of the piece. All points touching, offering different perspectives and visual undertones that are both concise and descriptive, no wasted breath, no wasted motion. The brevity of it all plays it off as if it were effortless, naturally sounding. If it were to help, you defeat the trap of typical cliche by creating suitably powered imagery complimented with metaphors. From the strangers' eyes, your fictional characters keep their originality as they're intentionally vague.
Forgive me, I haven't honest critique to be put to good use as of yet. Only admiration, if that were to affirm your path in poetry, my intentions are just. Well done, Braggman.
Forgive me, I haven't honest critique to be put to good use as of yet. Only admiration, if that were to affirm your path in poetry, my intentions are just. Well done, Braggman.
1
re: Re: The Last Mile
27th Apr 2014 3:40am
Thank you for that. Thank you for taking the time to read and actually think about the writing. As you saw I drew the actors only roughly so finding anything of substance to latch onto is commendable.