What's your favorite love poem by a famous author?
Just curious what famous love poems get you excited? Looking for new stuff to read 
I'm currently in love with:
Love’s Secret by William Blake
Never seek to tell thy love,
Love that never told can be;
For the gentle wind doth move
Silently, invisibly.
I told my love, I told my love,
I told her all my heart,
Trembling, cold, in ghastly fears.
Ah! she did depart!
Soon after she was gone from me,
A traveller came by,
Silently, invisibly:
He took her with a sigh.
source:
http://www.famous-love-poems.com/
I'm currently in love with:
Love’s Secret by William Blake
Never seek to tell thy love,
Love that never told can be;
For the gentle wind doth move
Silently, invisibly.
I told my love, I told my love,
I told her all my heart,
Trembling, cold, in ghastly fears.
Ah! she did depart!
Soon after she was gone from me,
A traveller came by,
Silently, invisibly:
He took her with a sigh.
source:
http://www.famous-love-poems.com/
Anonymous
This isn't a poem, but it's one of my favourite pieces of writing to do with love. It's from Louis-Joseph de Montcalm's final letter to his wife:
"I think I should have given up all my honors to be back with you, but the king must be obeyed; the moment when I shall see you again will be the finest of my life. Goodbye my heart, I believe I love you more than ever. "
"I think I should have given up all my honors to be back with you, but the king must be obeyed; the moment when I shall see you again will be the finest of my life. Goodbye my heart, I believe I love you more than ever. "
A Dog Has Died
- Pablo Neruda Trans: Alfred Yankauer
My dog has died.
I buried him in the garden
next to a rusted old machine.
Some day I'll join him right there,
but now he's gone with his shaggy coat,
his bad manners and his cold nose,
and I, the materialist, who never believed
in any promised heaven in the sky
for any human being,
I believe in a heaven I'll never enter.
Yes, I believe in a heaven for all dogdom
where my dog waits for my arrival
waving his fan-like tail in friendship.
Ai, I'll not speak of sadness here on earth,
of having lost a companion
who was never servile.
His friendship for me, like that of a porcupine
withholding its authority,
was the friendship of a star, aloof,
with no more intimacy than was called for,
with no exaggerations:
he never climbed all over my clothes
filling me full of his hair or his mange,
he never rubbed up against my knee
like other dogs obsessed with sex.
No, my dog used to gaze at me,
paying me the attention I need,
the attention required
to make a vain person like me understand
that, being a dog, he was wasting time,
but, with those eyes so much purer than mine,
he'd keep on gazing at me
with a look that reserved for me alone
all his sweet and shaggy life,
always near me, never troubling me,
and asking nothing.
Ai, how many times have I envied his tail
as we walked together on the shores of the sea
in the lonely winter of Isla Negra
where the wintering birds filled the sky
and my hairy dog was jumping about
full of the voltage of the sea's movement:
my wandering dog, sniffing away
with his golden tail held high,
face to face with the ocean's spray.
Joyful, joyful, joyful,
as only dogs know how to be happy
with only the autonomy
of their shameless spirit.
There are no good-byes for my dog who has died,
and we don't now and never did lie to each other.
So now he's gone and I buried him,
and that's all there is to it.
. . .
The Ivy Crown
by William Carlos Williams
The whole process is a lie,
unless,
crowned by excess,
It break forcefully,
one way or another,
from its confinement—
or find a deeper well.
Antony and Cleopatra
were right;
they have shown
the way. I love you
or I do not live
at all.
Daffodil time
is past. This is
summer, summer!
the heart says,
and not even the full of it.
No doubts
are permitted—
though they will come
and may
before our time
overwhelm us.
We are only mortal
but being mortal
can defy our fate.
We may
by an outside chance
even win! We do not
look to see
jonquils and violets
come again
but there are,
still,
the roses!
Romance has no part in it.
The business of love is
cruelty which,
by our wills,
we transform
to live together.
It has its seasons,
for and against,
whatever the heart
fumbles in the dark
to assert
toward the end of May.
Just as the nature of briars
is to tear flesh,
I have proceeded
through them.
Keep
the briars out,
they say.
You cannot live
and keep free of
briars.
Children pick flowers.
Let them.
Though having them
in hand
they have no further use for them
but leave them crumpled
at the curb's edge.
At our age the imagination
across the sorry facts
lifts us
to make roses
stand before thorns.
Sure
love is cruel
and selfish
and totally obtuse—
at least, blinded by the light,
young love is.
But we are older,
I to love
and you to be loved,
we have,
no matter how,
by our wills survived
to keep
the jeweled prize
always
at our finger tips.
We will it so
and so it is
past all accident.
by William Carlos Williams
The whole process is a lie,
unless,
crowned by excess,
It break forcefully,
one way or another,
from its confinement—
or find a deeper well.
Antony and Cleopatra
were right;
they have shown
the way. I love you
or I do not live
at all.
Daffodil time
is past. This is
summer, summer!
the heart says,
and not even the full of it.
No doubts
are permitted—
though they will come
and may
before our time
overwhelm us.
We are only mortal
but being mortal
can defy our fate.
We may
by an outside chance
even win! We do not
look to see
jonquils and violets
come again
but there are,
still,
the roses!
Romance has no part in it.
The business of love is
cruelty which,
by our wills,
we transform
to live together.
It has its seasons,
for and against,
whatever the heart
fumbles in the dark
to assert
toward the end of May.
Just as the nature of briars
is to tear flesh,
I have proceeded
through them.
Keep
the briars out,
they say.
You cannot live
and keep free of
briars.
Children pick flowers.
Let them.
Though having them
in hand
they have no further use for them
but leave them crumpled
at the curb's edge.
At our age the imagination
across the sorry facts
lifts us
to make roses
stand before thorns.
Sure
love is cruel
and selfish
and totally obtuse—
at least, blinded by the light,
young love is.
But we are older,
I to love
and you to be loved,
we have,
no matter how,
by our wills survived
to keep
the jeweled prize
always
at our finger tips.
We will it so
and so it is
past all accident.
Anonymous
XVII (I do not love you...) Written by Pablo Neruda
I do not love you as if you were salt-rose, or topaz,
or the arrow of carnations the fire shoots off.
I love you as certain dark things are to be loved,
in secret, between the shadow and the soul.
I love you as the plant that never blooms
but carries in itself the light of hidden flowers;
thanks to your love a certain solid fragrance,
risen from the earth, lives darkly in my body.
I love you without knowing how, or when, or from where.
I love you straightforwardly, without complexities or pride;
so I love you because I know no other way
than this: where I does not exist, nor you,
so close that your hand on my chest is my hand,
so close that your eyes close as I fall asleep.
I do not love you as if you were salt-rose, or topaz,
or the arrow of carnations the fire shoots off.
I love you as certain dark things are to be loved,
in secret, between the shadow and the soul.
I love you as the plant that never blooms
but carries in itself the light of hidden flowers;
thanks to your love a certain solid fragrance,
risen from the earth, lives darkly in my body.
I love you without knowing how, or when, or from where.
I love you straightforwardly, without complexities or pride;
so I love you because I know no other way
than this: where I does not exist, nor you,
so close that your hand on my chest is my hand,
so close that your eyes close as I fall asleep.
by Lord Byron
SHE walks in beauty, like the night
Of cloudless climes and starry skies;
And all that ‘s best of dark and bright
Meet in her aspect and her eyes:
Thus mellow’d to that tender light
Which heaven to gaudy day denies.
One shade the more, one ray the less,
Had half impair’d the nameless grace
Which waves in every raven tress,
Or softly lightens o’er her face;
Where thoughts serenely sweet express
How pure, how dear their dwelling-place.
And on that cheek, and o’er that brow,
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
But tell of days in goodness spent,
A mind at peace with all below,
A heart whose love is innocent!
“The House of Love”
-Rumi
Why is there always music in this house?
Ask the owner.
Idols inside the Kaaba?
God's light in a pagan temple?
Here is a treasure this world could not contain.
The house and its landlord
are all pretext and play.
Hands off this house, this talisman.
Don't argue with the landlord;
he's drunk every night.
The dirt and garbage are musk and rose.
The roof and door are music and verse.
In short, whoever finds this house,
is ruler of the world, Solomon of his time.
Look down, Lord, from the roof;
bless us with your glance.
I swear, since seeing Your face,
the whole world is a fraud and fantasy.
The garden is bewildered as to what is leaf
or blossom. The distracted birds
can't distinguish the birdseed from the snare.
A house of love with no limits,
a presence more beautiful than venus or the moon,
a beauty whose image fills the mirror of the heart.
Zulaikha's female friends,
beside themselves in Joseph's presence, sliced their wrists.
Maybe a curl of his hair brushed their hearts.
Come in. The Beloved is here. We are all drunk.
No one notices who enters or leaves.
Don't sit outside the door in the dark, wondering.
Those drunk with God,
even if they are a thousand, live as One.
But drunk with lust, even one is double.
Enter the thicket of lions unafraid of any wounds.
The shadows you fear are just a child's fantasy.
There is no wound and nothing to be wounded;
all is mercy and love.
But you build up thought
like a massive wooden door.
Set fire to the wood.
Silence the noise of the heart.
Hold your harmful tongue.
-Rumi
Why is there always music in this house?
Ask the owner.
Idols inside the Kaaba?
God's light in a pagan temple?
Here is a treasure this world could not contain.
The house and its landlord
are all pretext and play.
Hands off this house, this talisman.
Don't argue with the landlord;
he's drunk every night.
The dirt and garbage are musk and rose.
The roof and door are music and verse.
In short, whoever finds this house,
is ruler of the world, Solomon of his time.
Look down, Lord, from the roof;
bless us with your glance.
I swear, since seeing Your face,
the whole world is a fraud and fantasy.
The garden is bewildered as to what is leaf
or blossom. The distracted birds
can't distinguish the birdseed from the snare.
A house of love with no limits,
a presence more beautiful than venus or the moon,
a beauty whose image fills the mirror of the heart.
Zulaikha's female friends,
beside themselves in Joseph's presence, sliced their wrists.
Maybe a curl of his hair brushed their hearts.
Come in. The Beloved is here. We are all drunk.
No one notices who enters or leaves.
Don't sit outside the door in the dark, wondering.
Those drunk with God,
even if they are a thousand, live as One.
But drunk with lust, even one is double.
Enter the thicket of lions unafraid of any wounds.
The shadows you fear are just a child's fantasy.
There is no wound and nothing to be wounded;
all is mercy and love.
But you build up thought
like a massive wooden door.
Set fire to the wood.
Silence the noise of the heart.
Hold your harmful tongue.
Anne Sexton All my pretty ones (it's a love poem right?)
Father, this year's jinx rides us apart
where you followed our mother to her cold slumber;
a second shock boiling its stone to your heart,
leaving me here to shuffle and disencumber
you from the residence you could not afford:
a gold key, your half of a woolen mill,
twenty suits from Dunne's, an English Ford,
the love and legal verbiage of another will,
boxes of pictures of people I do not know.
I touch their cardboard faces. They must go.
But the eyes, as thick as wood in this album,
hold me. I stop here, where a small boy
waits in a ruffled dress for someone to come ...
for this soldier who holds his bugle like a toy
or for this velvet lady who cannot smile.
Is this your father's father, this commodore
in a mailman suit? My father, time meanwhile
has made it unimportant who you are looking for.
Ill never know what these faces are all about.
I lock them into their book and throw them out.
This is the yellow scrapbook that you began
the year I was born; as crackling now and wrinkly
as tobacco leaves: clippings where Hoover outran
the Democrats, wiggling his dry finger at me
and Prohibition; news where the Hindenburg went
down and recent years where you went flush
on war. This year, solvent but sick, you meant
to marry that pretty widow in a one-month rush.
But before you had that second chance, I cried
on your fat shoulder. Three days later you died.
These are the snapshots of marriage, stopped in places.
Side by side at the rail toward Nassau now;
here, with the winner's cup at the speedboat races,
[here, in tails at the Cotillion, you take a bow,]
here, by our kennel of dogs with their pink eyes,
running like show-bred pigs in their chain-link pen;
here, at the horseshow where my sister wins a prize;
and here, standing like a duke among groups of men.
Now I fold you down, my drunkard, my navigator,
my first lost keeper, to love or look at later.
I hold a five-year diary that my mother kept
for three years, telling all she does not say
of your alcoholic tendency. You overslept,
she writes. My God, father, each Christmas Day
with your blood, will I drink down your glass
of wine? The diary of your hurly-burly years
goes to my shelf to wait for my age to pass.
Only in this hoarded span will love persevere.
Whether you are pretty or not, I outlive you,
bend down my strange face to yours and forgive you.
Anne, with her father is out in the boat
riding the water
riding the waves on the sea.
http://youtu.be/5Y5KELHc0Hw
_______________________________________
Father, this year's jinx rides us apart
where you followed our mother to her cold slumber;
a second shock boiling its stone to your heart,
leaving me here to shuffle and disencumber
you from the residence you could not afford:
a gold key, your half of a woolen mill,
twenty suits from Dunne's, an English Ford,
the love and legal verbiage of another will,
boxes of pictures of people I do not know.
I touch their cardboard faces. They must go.
But the eyes, as thick as wood in this album,
hold me. I stop here, where a small boy
waits in a ruffled dress for someone to come ...
for this soldier who holds his bugle like a toy
or for this velvet lady who cannot smile.
Is this your father's father, this commodore
in a mailman suit? My father, time meanwhile
has made it unimportant who you are looking for.
Ill never know what these faces are all about.
I lock them into their book and throw them out.
This is the yellow scrapbook that you began
the year I was born; as crackling now and wrinkly
as tobacco leaves: clippings where Hoover outran
the Democrats, wiggling his dry finger at me
and Prohibition; news where the Hindenburg went
down and recent years where you went flush
on war. This year, solvent but sick, you meant
to marry that pretty widow in a one-month rush.
But before you had that second chance, I cried
on your fat shoulder. Three days later you died.
These are the snapshots of marriage, stopped in places.
Side by side at the rail toward Nassau now;
here, with the winner's cup at the speedboat races,
[here, in tails at the Cotillion, you take a bow,]
here, by our kennel of dogs with their pink eyes,
running like show-bred pigs in their chain-link pen;
here, at the horseshow where my sister wins a prize;
and here, standing like a duke among groups of men.
Now I fold you down, my drunkard, my navigator,
my first lost keeper, to love or look at later.
I hold a five-year diary that my mother kept
for three years, telling all she does not say
of your alcoholic tendency. You overslept,
she writes. My God, father, each Christmas Day
with your blood, will I drink down your glass
of wine? The diary of your hurly-burly years
goes to my shelf to wait for my age to pass.
Only in this hoarded span will love persevere.
Whether you are pretty or not, I outlive you,
bend down my strange face to yours and forgive you.
Anne, with her father is out in the boat
riding the water
riding the waves on the sea.
http://youtu.be/5Y5KELHc0Hw
_______________________________________
Quick and bitter . By Yehuda Amichai
The end was quick and bitter.
Slow and sweet was the time between us,
Slow and sweet were the nights
when my hands did not touch one another in despair
but with the love of your body
which came between them.
And when you entered into me
it seemed then that great happiness
could be measured with the precision
of sharp pain. Quick and bitter.
Slow and sweet were the nights.
Now is as bitter and grinding as sand -
"We shall be sensible" and similar curses.
And as we stray further from love
we multiply the words,
Words and sentences long and orderly.
Had we remained together
we could have become a silence.
I have many more.
The end was quick and bitter.
Slow and sweet was the time between us,
Slow and sweet were the nights
when my hands did not touch one another in despair
but with the love of your body
which came between them.
And when you entered into me
it seemed then that great happiness
could be measured with the precision
of sharp pain. Quick and bitter.
Slow and sweet were the nights.
Now is as bitter and grinding as sand -
"We shall be sensible" and similar curses.
And as we stray further from love
we multiply the words,
Words and sentences long and orderly.
Had we remained together
we could have become a silence.
I have many more.
I have always loved "Heart, We Shall Forget Him!" by Emily Dickinson...
Heart, we will forget him!
You an I, tonight!
You may forget the warmth he gave,
I will forget the light.
When you have done, pray tell me
That I my thoughts may dim;
Haste! lest while you're lagging.
I may remember him!
Heart, we will forget him!
You an I, tonight!
You may forget the warmth he gave,
I will forget the light.
When you have done, pray tell me
That I my thoughts may dim;
Haste! lest while you're lagging.
I may remember him!
Difficult to choose a favourite, but somewhere in the top five has to be John Donne's 'The Sun Rising' - for the sheer joy and arrogance of lust, love, sensuality and the good humour that comes from being in bed with your girl and feeling great, it takes some beating:
The Sun Rising
Busy old fool, unruly Sun,
Why dost thou thus,
Through windows, and through curtains, call on us?
Must to thy motions lovers' seasons run?
Saucy pedantic wretch, go chide
Late school-boys and sour prentices,
Go tell court-huntsmen that the king will ride,
Call country ants to harvest offices;
Love, all alike, no season knows nor clime,
Nor hours, days, months, which are the rags of time.
Thy beams so reverend, and strong
Why shouldst thou think?
I could eclipse and cloud them with a wink,
But that I would not lose her sight so long.
If her eyes have not blinded thine,
Look, and to-morrow late tell me,
Whether both th'Indias of spice and mine
Be where thou left'st them, or lie here with me.
Ask for those kings whom thou saw'st yesterday,
And thou shalt hear, "All here in one bed lay."
She's all states, and all princes I;
Nothing else is;
Princes do but play us; compared to this,
All honour's mimic, all wealth alchemy.
Thou, Sun, art half as happy as we,
In that the world's contracted thus;
Thine age asks ease, and since thy duties be
To warm the world, that's done in warming us.
Shine here to us, and thou art everywhere ;
This bed thy center is, these walls thy sphere.
The Sun Rising
Busy old fool, unruly Sun,
Why dost thou thus,
Through windows, and through curtains, call on us?
Must to thy motions lovers' seasons run?
Saucy pedantic wretch, go chide
Late school-boys and sour prentices,
Go tell court-huntsmen that the king will ride,
Call country ants to harvest offices;
Love, all alike, no season knows nor clime,
Nor hours, days, months, which are the rags of time.
Thy beams so reverend, and strong
Why shouldst thou think?
I could eclipse and cloud them with a wink,
But that I would not lose her sight so long.
If her eyes have not blinded thine,
Look, and to-morrow late tell me,
Whether both th'Indias of spice and mine
Be where thou left'st them, or lie here with me.
Ask for those kings whom thou saw'st yesterday,
And thou shalt hear, "All here in one bed lay."
She's all states, and all princes I;
Nothing else is;
Princes do but play us; compared to this,
All honour's mimic, all wealth alchemy.
Thou, Sun, art half as happy as we,
In that the world's contracted thus;
Thine age asks ease, and since thy duties be
To warm the world, that's done in warming us.
Shine here to us, and thou art everywhere ;
This bed thy center is, these walls thy sphere.
